Sonam Kapoor is exceptional as Neerja Bhanot, says Raja Sen.
'This is a solid, terse film that makes its points in mainstream fashion with an appropriate lack of subtlety.' 'Pink is a barnstormer -- and it doesn't pull its punches.'
Raja Sen feels 10 Ml Love has enough to offer for a good time.
'Film shooting is a long process, and it is important to have a good bonding with the person you are going to spend six to eight months of your life.' 'Baaki, film toh bann jaati hain.'
'What could have been a crafty take on power play and gender politics between architect and engineer dumbs down into a cliched bickering of elite and everyman,' says Sukanya Verma.
Thuppakki's music is a rehash of Jeyaraj's earlier tunes.
An intense thriller that sheds light on the deadly war between powerful drug cartels and the police.
Second Hand Husband is entertaining in parts, says Nishi Tiwari.
Hindi cinema has not just explored various instances of brute force, but often glorified its misogyny.
The film has made record-breaking box office collections.
'I did not have the privilege of someone holding my hand and guiding me. I had to chart my own journey.'
Given the recent spate of commercial flops, has Bollywood become immune to star power?
Kay Kay Menon, Ranvir Shorey and Manu Rish Chadha -- all fine actors -- seem wasted in the film.
Anushka Sharma is at her most impressive in the chilling NH10 but the climax is a bit of a letdown, notes Sukanya Verma.
Nothing in Baar Baar Dekho adds up, warns Raja Sen.
Dum Laga Ke Haisha is so simple that it never gives you a single moment of unpredictability, writes Raja Sen.
The latest updates from the Tamil film industry.
Tigmanshu Dhulia's Saheb Biwi Aur Gangster Returns is better, sharper and more assured than the prequel, writes Raja Sen.
Dame Dench humanises the frumpy, myopic and overindulged Queen Victoria and the screen feels the warmth of the legendary actress's enthusiasm, says Sukanya Verma.
From Parineeta to Shakuntala Devi, Vidya Balan has had a successful 15-year journey in the Hindi film industry.
The hits and misses of the week.
Raja Sen isn't reviewing Shuddh Desi Romance or telling you its story because he thinks you should have seen it already. Here's why he thinks this film is one of the year's most important releases.
Ramaiya Vastavaiya will leave you with a couple of good laughs, if nothing else.
Music director Harris Jeyaraj takes a safe route as he offers nothing new in the album.
Kai Po Che works because of its earnest and very talented cast.
Joginder Tuteja lists films that were severely criticised and yet, emerged blockbusters.
Looking forward to Jolly LLB 2, 2.0 and much more.
The kindest thing one can say about Ishqedarriyaan is that it is yawn worthy
R Madhavan has a flair for playing unlikeable characters well and he achieves that here too, writes Sukanya Verma.
Lailaa O Lailaa is a tacky film that wasted the resources at its disposal.
'A historical with an identity crisis, initially the period drama cannot decide whether it wants to chronicle facts or fictionalise them in the tradition of a crowd-pleasing fantasy,' says Sukanya Verma.
It takes concrete storytelling not style to camouflage John Abraham's limitations. He bears the physicality of a man who could take on a dozen but his blank, pained surface cannot offer threat or evoke sympathy, writes Sukanya Verma.
The Happy New Year soundtrack has quite a few winners, says Joginder Tuteja/ Rediff.com.
Aladin's charm lies in its genie. It is not an album you would want to listen to repeatedly, save for Bachchan's rap, which makes all the right noises. Literally.
Aiyaary is a bloated, prolonged mess of misplaced purpose that digresses from military misdeeds to animal cruelty, feels Sukanya Verma.
Raja Sen feels Apoorva Lakhia's Zanjeer is an unwarranted, atrocious remake.
Have a party at home? Aelina Kapoor recommends the Loveshhuda soundtrack.
'Rajnikanth's Kaala seems like a continuation from where Mani Ratnam had left off in his masterpiece Naayagan.'
